Baroque Classics | Bach, Vivaldi, Handel...

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Baroque Classics
Tracklist:

0:00:00 Vivaldi - Concerto for Strings in A major, RV 159: I. Allegro
Vivaldi - Concerto for Strings in A major, RV 158:
0:01:47 I. Allegro molto
0:04:55 III. Allegro
Vivaldi - Concerto for Strings in A major, RV 160:
0:08:44 I. Allegro
0:11:01 III. Allegro
Vivaldi - Concerto for Strings in G major "Alla Rustica", RV 151:
0:13:10 I. Presto
0:14:47 III. Allegro
Vivaldi - Concerto for Strings in G major, RV 150:
0:17:23 I. Allegro
0:19:15 III. Allegro
Handel - Music for the Royal Fireworks, HWV 351:
0:21:26 I. Overture
0:29:13 II. Bourrée
0:30:56 III. La Paix (Largo alla Siciliana)
0:34:03 IV. La Rejouissance (Allegro)
0:35:58 V. Minuetto I
0:37:35 VI. Minuetto II
Bach - Orchestral Suite No. 3 in D major, BWV 1068:
0:39:58 I. Ouverture
0:53:42 II. Air on the G String
0:59:11 III. Gavotte I, II
1:03:37 IV. Bourrée
1:05:08 V. Gigue
Bach - Orchestral Suite No. 4 in D major, BWV 1069:
1:08:11 I. Ouverture
1:23:37 II. Bourrée I, II
1:26:44 III. Gavotte
1:28:57 IV. Menuett I, II
1:33:31 V. Réjouissance
Vivaldi - Flute Concerto in F major "La Tempesta di Mare", RV 433:
1:36:26 I. Allegro
1:39:34 III. Presto
Vivaldi - Flute Concerto in D major "Il Gardellino", RV 428:
1:41:48 I. Allegro
1:45:23 III. Allegro
Vivaldi - Flute Concerto in F major, RV 434:
1:48:11 I. Allegro, ma non tanto
1:51:52 III. Allegro
Vivaldi - Flute Concerto in G major, RV 435:
1:53:29 I. Allegro
1:56:04 III. Allegro
Vivaldi - Flute Concerto in G major, RV 437:
1:58:13 I. Allegro
2:02:06 II. Largo
Corelli - Concerto Grosso in D major, Op. 6 No. 1:
2:04:31 I. Largo - Allegro
2:07:25 IV. Allegro
2:09:15 V. Allegro
Corelli - Concerto Grosso in F major, Op. 6 No. 9:
2:11:26 I. Preludio
2:12:53 II. Allemanda
2:15:26 III. Corrente
2:17:20 IV. Gavotta
2:18:08 VI. Minuetto
Albinoni - Sinfonia No. 3 in G major:
2:19:57 I. Allegro
2:24:25 II. Minuetto
2:29:11 III. Allegro
Albinoni - Sinfonia No. 5:
2:33:23 I. Allegro
2:37:43 II. Minuetto
2:41:42 III. Allegro

All tracks performed by Budapest Scoring Symphonic Orchestra, Peter Illenyi

Baroque music refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque period is divided into three major phases: early, middle, and late. Baroque music forms a major portion of the "classical music" canon, and is widely studied, performed, and listened to. The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Alessandro Stradella, Antonio Vivaldi, Tomaso Albinoni, Johann Pachelbel, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, François Couperin, Johann Hermann Schein, Heinrich Schütz, Samuel Scheidt, Dieterich Buxtehude, and others.

The Baroque saw the creation of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this type of harmony has continued to be used extensively in Western classical and popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments—viol, cello, double bass—played the bassline. A characteristic Baroque form was the dance suite. While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers.

During the period composers experimented with finding a fuller sound for each instrumental part (thus creating the orchestra), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works. Overall, Baroque music was a tool for expression and communication.

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