Bach: Cello Suites No. 1, 2, 3 (Nadia David)

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Johann Sebastian Bach
Cello Suites No. 1, 2, 3
Cello: Nadia David

Tracklist:

00:00 Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
02:41 Cello Suite No. 1 in G Major, BWV 1007: II. Allemande
07:13 Cello Suite No. 1 in G Major, BWV 1007: III. Courante
09:48 Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande
12:44 Cello Suite No. 1 in G Major, BWV 1007: V. Menuett I - Menuett II
15:54 Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue

17:35 Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude
21:19 Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande
25:01 Cello Suite No. 2 in D Minor, BWV 1008: III. Courante
27:04 Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande
31:37 Cello Suite No. 2 in D Minor, BWV 1008: V. Menuett I - Menuett II
34:37 Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue

36:59 Cello Suite No. 3 in C Major, BWV 1009: I. Prélude
40:23 Cello Suite No. 3 in C Major, BWV 1009: II. Allemande
43:55 Cello Suite No. 3 in C Major, BWV 1009: III. Courante
46:57 Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande
51:18 Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I - Bourrée II
54:53 Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue

The six Cello Suites, BWV 1007–1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed solo compositions ever written for cello. Bach most likely composed them during the period 1717–1723, when he served as Kapellmeister in Köthen. The title given on the cover of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso (Suites for cello solo without bass).

As usual in a Baroque musical suite, after the prelude which begins each suite, all the other movements are based around baroque dance types; the cello suites are structured in six movements each: prelude, allemande, courante, sarabande, two minuets or two bourrées or two gavottes, and a final gigue. Gary S. Dalkin of MusicWeb International called Bach's cello suites "among the most profound of all classical music works" and Wilfrid Mellers described them in 1980 as "Monophonic music wherein a man has created a dance of God".

(Source: Wikipedia)

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