Music from Argentina Vol 2

Folk music—called música folklórica or folklore in Spanish, from transliteration of the English folklore—comes in many forms, developed in different parts of Argentina with different European and indigenous influences. Among the first traditional folk groups to record extensively in Argentina, three of the most influential were from the northwest: Los Chalchaleros and Los Fronterizos from the Province of Salta and the Ábalos brothers from Santiago del Estero Province. Becoming nearly instant successes following their first albums around 1950, they inspired a revival of the genre in Argentina.
A famous soloist in the genre is guitarrist Eduardo Falú, known for the many compositions that set traditional poetry into music. Traditional folk music became increasingly important during the protest movement against the military dictatorship and the community divisions of the 1970s, with artists like Mercedes Sosa and Atahualpa Yupanqui, contributing to the development of nueva canción. Soledad Pastorutti ('La Sole') has brought folklore to a new audience, and in the early 21st century Juana Molina has proposed a fusion between electronic music and folklore with ambient sounds, a gentle voice and short zambas.
A well-known venue for Argentine folklore music, the Cosquín National Folklore Festival, has been gathering musicians from the genre annually since 1961. A modest event at first, the festival has grown to include folk musicians from neighboring countries and Asia, as well as from throughout Argentina, itself. Focusing on folklore music, the festival nevertheless features talent from the worlds of tango, acoustic music and international culture.