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MUSIC OF SWEDEN Vol 2

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The fiddle is perhaps the most characteristic and original instrument of the Swedish folk tradition. It had arrived by the 17th century, and became widespread until 19th century religious fundamentalism preached that most forms of music were sinful and ungodly. Despite the oppression, several fiddlers achieved a reputation for their virtuosity, including Jämtland's Lapp-Nils, Bingsjö's Pekkos Per and Malung's Lejsme-Per Larsson. None of these musicians were ever recorded; the first major fiddler to be recorded was Hjort Anders Olsson. Other early fiddlers of the 20th century included Nils Agenmark and Päkkos Gustaf. There is an extensive traditional repertoire of fiddle tunes, in forms such as the 3/4 polska and the 4/4 gånglåt. One type fiddle peculiar to Sweden is the låtfiol, a fiddle with two sympathetic strings, similar to the Norwegian Hardanger fiddle
The nyckelharpa (keyed fiddle) is similar to both a fiddle and a hurdy-gurdy, and is known from Sweden since at least 1350, when it was carved on a gate in a church in Gotland.[2] During the 15th and 16th centuries, the nyckelharpa was known throughout Sweden, Denmark and particularly in the province of Uppland. The latter has long been a stronghold for nyckelharpa music, including through the 60s[when?] revival[clarification needed], which drew on musicians like Byss-Calle from Älvkarleby. The instrument played at this time was not the same as that used today; August Bohlin and Eric Sahlström made changes to the instrument that made it a chromatic and straight, more violin-like instrument. In spite of these innovations, the nyckelharpa's popularity declined until the 1960s roots revival. The nyckelharpa was a prominent part of several revival groups later in the century, especially Väsen and Hedningarna.
The Swedish bagpipes (säckpipa) has been part of a long-running folk tradition, passed down orally until the death of Gudmunds Nils Larsson in 1949. Later revivalists such as Per Gudmundson added a tuning slide and revitalized the instrument.
Accordions and harmonicas were an integral part of Swedish folk music from the beginning of the 20th century, when they contributed to the gammeldans genre. The most famous Swedish accordionist is undoubtedly Kalle Jularbo, who was famous throughout the early 20th century. Later, the accordion fell out of favour within the roots revival, and did not return until the very end of the 1970s.
Category
Classical
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