Albinoni - Adagio in G minor [HD]

The Adagio in G minor for violin, strings and organ continuo, is a neo-Baroque composition popularly attributed to the 18th-century Venetian master Tomaso Albinoni, but actually composed by the 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment by Albinoni.

Although the composition is often referred to as "Albinoni's Adagio", or "Adagio in G minor by Albinoni, arranged by Giazotto", the attribution is incorrect. The ascription to Albinoni rests upon Giazotto's purported discovery of a tiny manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata.
According to Giazotto, he obtained the document shortly after the end of World War II from the Saxon State Library in Dresden, which − though its buildings were destroyed in the bombing raids of February and March 1945 by the British and American Air Forces − had evacuated and preserved most of its collection. Giazotto concluded that the manuscript fragment was a portion of a church sonata (sonata da chiesa, one of two standard forms of the trio sonata) in G minor composed by Albinoni, possibly as part of his Op. 4 set, around 1708.
In his account, Giazotto then constructed the balance of the complete single-movement work based on this fragmentary theme. He copyrighted it and published it in 1958, under a title which, translated into English, reads "Adagio in G Minor for Strings and Organ, on Two Thematic Ideas and on a Figured Bass by Tomaso Albinoni". Giazotto never produced the manuscript fragment, and no official record of its presence in the collection of the Saxon State Library has been found.

The piece is most commonly orchestrated for string ensemble and organ, or string ensemble alone, but with its growing fame has been transcribed for other instruments. The Italian conductor Ino Savini (1904–1995) transcribed the Adagio for a large orchestra and conducted the piece himself in Ostrava in 1967 with the Janáček Philharmonic. The composition has also permeated popular culture, having been used as background music for such films as Gallipoli, in television programmes, and in advertisements.