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Reger: Suites for Solo Viola | Simone Libralon

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Max Reger
3 Suites for Solo Viola, Op. 131d
Simone Libralon

Suite No. 1 in G minor:
00:00 I. Molto sostenuto
04:57 II. Vivace
08:46 III. Andante sostenuto
12:29 IV. Molto vivace

Suite No. 2 in D major:
13:56 I. Con moto
17:44 II. Andante
21:54 III. Allegretto
23:46 IV. Vivace

Suite No. 3 in E minor:
26:33 I. Moderato
30:01 II. Vivace
32:18 III. Adagio
36:24 IV. Allegro vivace

Max Reger was a German composer of the late-Romantic period. Born in Brand in 1873, he studied music theory in Sondershausen, then piano and theory, in Wiesbaden. The first compositions to which he assigned opus numbers were chamber music and Lieder. A pianist himself, he composed works for both piano and organ.

Reger returned to his parental home in 1898, where he composed his first work for choir and orchestra, Hymne an den Gesang (Hymn to singing), Op. 21. He moved to Munich in 1901. In 1907 he was appointed musical director at the Leipzig University and professor at the Royal Conservatory in Leipzig.

In 1911 Reger was appointed Hofkapellmeister (music director) at the court of Duke Georg II of Saxe-Meiningen, retaining his master class at the Leipzig conservatory. In 1913 he composed four tone poems on paintings by Arnold Böcklin (Vier Tondichtungen nach A. Böcklin), including Die Toteninsel (Isle of the Dead), as his Op. 128. He gave up the court position in 1914 for health reasons. In response to World War I, he thought in 1914 already to compose a choral work to commemorate the fallen of the war. He began to set the Latin Requiem but abandoned the work as a fragment. In 1915 he moved to Jena, still teaching in Leipzig. He composed in Jena the Hebbel Requiem for soloist, choir and orchestra. Reger died in Leipzig on 11 May 1916.
Category
Classical
Tags
reger, max reger, reger suites
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